Graphic design is the
perfect meeting place. It’s the cozy quaint spot where the Art, Communication
and Marketing meet. It’s quite a magical affair... Art captivates you with her
untamed passion and her free spirited playfulness. You can never quite place
her, yet you can’t keep your eyes from her. Marketing is quite the opposite in
character; she’s feisty and driven and plans meticulously in getting her way. The
two don’t glue well together on one to one meetings; it’s Communication that
sticks them together. Communication understands them both. She teaches them how
to listen and how to communicate their feelings. She’s the sense in the storm;
when she’s around the trio work wonders together.
The problem facing designers today, is missing the meeting
place.
The definition of good design differs according to seemingly opposing
schools of viewpoints (artistic vs. marketing vs. communication). Is design aesthetic, moral, honest, effective or economic? You can see these split definitions since
the acknowledgement of graphic design as discipline. Just like the predominant
worldviews of people have been changing with the pass of time, the
definition of what design should be have been adopted accordingly. With modernism’s
(approx. 1870’s – 1960’s) root for moral propaganda, design was used as a tool
for the train of thought. Amidst of capitalism, design is used as a tool for this train of thought.
“Back then (referring to 1950’s),
the word “good” was linked with the notion of ethics and morality. Milton
Glaser remembers how, in the early fifties, “good” referenced things that were
suppose to be honest and truthful, like abstract art. In contrast, today,
“good” has no moral, spiritual, or redemptive agenda; good simply means
effective. “Good” means, “that which
sells”.
- Veronique Vienne’s in her
article, What’s Bad about Good Design
If we stand for design as an independent discipline we
cannot define it as a tool, merely adapting to the popular culture of the time.
If design can function in different disciplines, aren’t these disciplines
different characteristics of graphic design? Let me just clearly state that we
are not promoting a post modernistic view of fragmented subjective views, because
amidst of postmodernism, fragmentation kills purpose.
We solemnly believe that
design can change the world; senseless design - art for art’s sake -is the last
thought we’d like to back.
What we’d like to support is a new collective
definition of graphic design.
Ironically, we live in a time where a holistic view is
appreciated, rather than a singular view. Ironically designers have
instinctively rejected the singular view by pursuing graphic design as
profession, because 'fine arts did not seem practical enough'. Yet we tend to see
graphic design by a singular view.
Don’t have favorites, in a whole set of
characteristics. You’ll just upset the latter.
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